Hello, reader! It's Jay. Today, I come with the great news that we hadn't forgotten about this quaint little blog, we had just been prioritising some event planning (more news to come...) and our exams! Not only this though, as today, I am also going to be attempting what some may call the impossible; I'm going to be attempting to sell to you the wondrous world of experimental film. Yes - I know, I've probably lost some of you already, but, for those who have an open mind (or are already fans of the category), I hope you'll stay with me through what will hopefully be a smooth and straightforward post about the least smooth and least straightforward category of cinema that has ever and probably will ever exist, a category that you'll probably know is my absolute favourite. If you've paid attention to any of the content we publish anywhere, you'll probably have seen my incredibly unsubtle promotion of experimentalism. I've forced Chloe to watch Mulho
Hello, reader, it's Jay again. It's been quite a while since I last wrote here, I've been surprisingly busy, considering lockdown is still in place! One of the things I have been doing is trying to organise our new YouTube show, Kino Introducing, the first episode of which comes out today, so go and take a look at that on our YouTube channel! This subject is very close to my heart, so I thought putting it on our blog was almost of paramount importance! You may have seen the advertising for our last open conversation, which was about Tim Burton's 1990 classic, Edward Scissorhands . The conversation was about the film in general, but we focussed on its link to Asperger's for a section of the event in celebration of international Asperger's day, which is today (February 18th)! I wanted to share some of the things we talked about and my interpretation, as I feel it is something that people might have an interest in and, really, it is a way of seeing this film that